I grew up in the era of the technicolour historical epic – the kind in which Tony Curtis famously announced, “Yonda lies da castle of my faddah!” Even at eleven or twelve, I realized that the filmmakers may have been less than scrupulous with historical fact, just as they were less than scrupulous with their hero’s accent. And so as soon as I got home I hauled out the encyclopaedia to find out what really happened in, say, ancient Rome, or 14th century Britain. This is probably why I chose to be a writer of historical fantasy. It’s a genre that, along with a certain degree of imagination and narrative skill, requires close attention to historical fact.
From an online article in Salon magazine: “Children’s fantasy demands the strictest logic, consistency and attention to detail… It is no wonder that the greatest children’s fantasists – Carroll, Lewis, Tolkien – had day jobs in the driest reaches of logic and philology.”
Someone else remarked that when you venture into a fantasy world," it’s not seven-league boots you need, but good stout walking shoes and a Swiss army knife.” (To which I would add, a reliable map of the region.) What makes any fantasy novel work is not how fantastic it is, but how believable. You have to write as though you’ve spent time as an inhabitant of your created world.
A great many children’s and YA fantasy novels are time-slip books, in which the only fantasy element lies in the time-travel itself. The protagonist walks through a hidden gate or into a painting, finds a magic talisman, opens a box in an attic… These time-tourist. stories are entertaining and usually well-researched, and it’s a very appealing way to learn about history. However, events are necessarily interpreted through a modern eye and coloured by a modern sensibility.
As a writer and as a reader, I’m drawn towards the kind of story that totally immerses me in the long ago and far away. My protagonists have no choice but to deal with the dangers, both real and imagined, that lurk in their world. Whatever happens, there’s no chance of escape to the 21st century.
For that kind of book to work, the author has a special challenge. Every sentence must capture the flavour of the period, in dialogue, in narrative voice, in descriptive details -- and yet remain accessible to the young reader who picks up the book in 2009.
I started reading fantasy set in imaginary worlds as far back as I can remember, but as I grew older I realized that the history of the real world is every bit as full of magic, and mystery, and astonishing possibilities.
Amazon.com lists over 32,000 children’s and YA fantasies. I was well into the hundreds in order of popularity before I came across a real-world historical fantasy title, and I found that disappointing. Historical fantasies deserve their place on bestseller lists and bedside tables; and they belong in every school library. A good story is always more engaging than straightforward facts. and a history text, however well written, can’t begin to capture the true flavour of a distant time. Add an element of magic, and you send the reader on an unforgettable journey.
Living History Through Canadian Time-Slip Fantasy
The Historical Novels Review
Paradox: The Magazine of Historical and Speculative Fiction